A songwriter uses the chord progression I-V-vi-IV throughout an entire pop song. A critic calls this 'unoriginal.' How would a music theorist respond?
Think about your answer, then reveal below.
Model answer: A music theorist would argue that common progressions are shared tonal vocabulary, not clichés. The progression works because it creates a satisfying cycle of tension and release that listeners have internalized. Originality in songwriting comes from melody, rhythm, production, and lyrics — not from avoiding functional harmonic patterns.
This question targets the misconception that using common progressions is a creative failure. In tonal music, progressions are more like grammatical sentence structures than specific phrases — countless different things can be said within the same syntactic framework.