5 questions to test your understanding
In the question 'What did Mary eat?', where did 'what' receive its thematic role as Theme of the verb 'eat'?
Consider: 'What do you think Mary bought?' (grammatical) vs. '*What did you see the man who bought?' (ungrammatical). What explains the contrast?
In the passive sentence 'The window was broken by the vandal,' the window receives the Agent thematic role because it occupies the grammatical subject position.
Movement operations in syntax can apply to any arbitrary sequence of words as long as the resulting sentence is semantically interpretable.
What theoretical work does the trace or copy left behind by movement accomplish? Why does the theory need it, rather than simply describing a phrase as appearing in a new position?