Questions: Susan Sontag: Essays as Cultural Diagnosis
5 questions to test your understanding
Score: 0 / 5
Question 1 Multiple Choice
What does it mean for Sontag to 'diagnose cultural moments'?
ATo describe what is happening in culture without evaluation.
BTo identify underlying patterns, assumptions, or problems in contemporary culture and explain their significance.
CTo predict the future of culture.
DTo reject all contemporary culture as inferior.
Sontag analyzes culture to understand what it reveals about our historical moment. Her famous essay on camp diagnoses why certain forms of 'bad taste' became culturally significant. Her essays on photography diagnose how cameras changed human consciousness and ethics. She identifies patterns (how form connects to content, how aesthetics reveal ideology) and explains what they mean. This is diagnosis in the sense a doctor uses—identifying symptoms, understanding causes, explaining implications.
Question 2 Multiple Choice
What technique does Sontag use to build 'essays around formal analysis, historical comparison, and provocative thesis'?
AShe uses only one of these; the others are unimportant.
BShe analyzes a specific cultural form closely (camp, photography, illness), compares it historically, and builds an argument about its cultural significance.
CThese three elements contradict each other in her work.
DTechnique is unimportant; only the thesis matters.
Sontag's method is to combine close analysis of specific cultural phenomena with historical perspective and argumentative force. Her essay 'Notes on Camp' analyzes camp aesthetics formally (what are its characteristics?), traces its history (when did it emerge? how has it evolved?), and argues that camp is significant to understanding contemporary sensibility. The three elements work together: formal analysis provides evidence, historical comparison shows scope, and the thesis stakes a larger claim about cultural meaning.
Question 3 True / False
TTrue
FFalse
Answer: True
This is what makes Sontag's work distinctive. She draws on philosophy, art history, and theory—she is genuinely learned. But she uses this learning not to create obscurity but to illuminate contemporary culture. Her essays about photography, illness, American character, and aesthetics address questions readers care about. She refuses the false choice between being intellectually serious and being engaged with present-moment culture.
Question 4 True / False
TTrue
FFalse
Answer: False
Sontag's theses are provocative precisely because she argues them with rigor. She presents evidence, builds logical argument, and acknowledges counterarguments before addressing them. A provocative thesis without rigorous support is merely outrageous. Sontag is provocative because she combines serious argumentation with uncomfortable positions—she makes readers take her arguments seriously while disagreeing with them.
Question 5 Short Answer
Choose a contemporary cultural form or phenomenon (a genre, an art form, a technology, a social practice). Write a brief analysis that diagnoses its cultural significance. What patterns does it reveal about our moment? What is its relationship to earlier cultural moments? What larger claim can you make about it?
Think about your answer, then reveal below.
Model answer:
For example, analyzing social media: Formally, it combines public performance (posts, photos) with personal relationship (following friends). Historically, it continues a tradition of diaries and letters made public (predecessors: blogs, early internet forums). The diagnosis: social media has transformed privacy and identity—what was private (personal reflection, intimate communication) is now performed publicly. This reveals something about contemporary culture: we're negotiating new relationships between private and public, self and audience. The larger claim might be that social media reflects anxieties about visibility and identity in late capitalism. This combines close analysis of the form, historical perspective on its emergence, and argumentative thesis about its meaning.