#harmony
99 topics
Music
Advanced Jazz Reharmonization and Chord SubstitutionResearchAdvanced Neo-Riemannian Theory and Tonnetz ApplicationsResearchAugmented Triads and Extended HarmonyCollegeBaroque Musical Style and AestheticsCollegeBasic Chord ConceptsMiddle & High SchoolBass Line DictationCollegeBass Line Recognition and Harmonic DictationCollegeBorrowed Chords and Chromatic Harmony DetectionCollegeBorrowed Chords and Parallel-Mode HarmonyCollegeBuilding Diatonic Chords from ScalesCollegeBuilding Triads Using IntervalsCollegeBuilding Triads from Scale DegreesCollegeCadence Types and Harmonic Closure by EarCollegeCadential Formulas and Phrase EndingsCollegeChoosing Chord Inversions for Harmonic FunctionCollegeChord Inversion Recognition by EarCollegeChord InversionsCollegeChromatic Expression and ColorCollegeChromatic Modulation and Voice-Leading PathwaysGraduateCommon Chord ProgressionsCollegeConsonant and Dissonant IntervalsCollegeDiatonic Chords in Major and Minor KeysCollegeDiatonic Harmonic ProgressionCollegeDiatonic Harmony and Roman Numeral AnalysisCollegeDominant Seventh Chord: Recognizing Its Unique QualityCollegeDominant Seventh Chords and ResolutionCollegeDominant Seventh: Function and ResolutionCollegeExtended Harmonic TechniquesCollegeExtended Harmony in CompositionCollegeExtended Harmony: Clusters, Microtonality, and Non-Tertian SystemsResearchExtended Tertian Harmony and Upper-Extension Voice-LeadingCollegeFour-Part Voice Writing (SATB)CollegeHarmonic Accompaniment BasicsMiddle & High SchoolHarmonic Analysis of Jazz ImprovisationResearchHarmonic Bass Lines and Root Position ImplicationsCollegeHarmonic Duration: Time Between Chord ChangesCollegeHarmonic Function BasicsCollegeHarmonic Function Recognition by EarCollegeHarmonic Function and Chord ProgressionsCollegeHarmonic Function and Root Movement by EarCollegeHarmonic Function in Post-Tonal and Atonal MusicResearchHarmonic Function: Tonic, Subdominant, and DominantCollegeHarmonic Innovation: Baroque to Classical TransitionCollegeHarmonic Progression Construction and Voice LeadingCollegeHarmonic Progression Patterns in Tonal MusicCollegeHarmonic Rhythm Detection by EarCollegeHarmonic Rhythm and Pacing in CompositionCollegeHarmonic Rhythm and Structural FunctionCollegeHarmonic Support for MelodyCollegeHarmonic vs. Melodic IntervalsCollegeIdentifying Harmonic MovementMiddle & High SchoolImpressionism and Modernism in Late 19th-Century MusicCollegeJazz Reharmonization and AnalysisResearchJazz Reharmonization and Substitution in CompositionResearchJazz Voice-Leading and Smooth Chord ChangesCollegeMelody and Harmonic Accompaniment: Creating Musical TextureCollegeMelody from HarmonyCollegeMicrotonal Systems and Harmonic ImplicationsResearchModulation Techniques and Key ChangeCollegeNeo-Riemannian Operations and TheoryResearchOrchestration and Harmonic Function as Integrated FormCollegePassing Tone Identification and Structural RoleCollegePrimary Harmonic Functions: Tonic, Subdominant, DominantCollegeRoman Numeral AnalysisCollegeRomantic Era Compositional InnovationsCollegeRomantic Expansion and Harmonic AmbiguityCollegeRoot Movement Recognition by EarCollegeSecondary Dominants and Tonicization by EarCollegeSecondary Harmony and Functional ExtensionCollegeSet-Class Transformations in Harmonic AnalysisResearchSeventh ChordsCollegeSeventh Chords and Their FunctionCollegeSinging in HarmonyMiddle & High SchoolSonata Principle in the Classical EraCollegeSpectral Harmony and Overtone AnalysisResearchStructural Bass-Line CompositionCollegeSuspension and Resolution Identification by EarCollegeThe Ursatz and Fundamental StructureGraduateTonal Planning and Long-Range Harmonic ProgressionCollegeTonal System and Major-Minor TonalityCollegeTonicization Detection by EarCollegeTonicization and Harmonic ColoringCollegeTonicization and Secondary DominantsCollegeTriad Construction: Major, Minor, and DiminishedCollegeTriads: Major, Minor, Diminished, AugmentedCollegeUsing Borrowed Chords in CompositionCollegeVoice Leading in Four-Part WritingCollegeVoice Leading: Smooth Motion and Efficient ProgressionsCollegeVoice-Leading as Expression of Harmonic FunctionCollegeVoicing Triads: Spacing and PositionCollegeWagner and Music DramaCollege